![]() ![]() The theme of love touched upon in the poem is the leitmotif, despite the fact that its direct mention is at the end of the poem. As a result, the poet embraces different dimensions for his philosophical analysis. Gale (2017) notes that such an approach is a symbolic tool for expanding the scope of consciousness. In “Birches,” Frost (1969) writes as follows: “You’d think the inner dome of heaven had fallen.” This stanza invites the reader to open wider boundaries of reality and draws him into reasoning both in the context of earthly life and beyond it. Secondly, the method of avoiding reality, which reinforces the philosophical implication, makes it possible to create the illusion of spatial reasoning when the poet covers not only the current moment but also other temporal dimensions. ![]() Such a tool helps Frost concentrate on the essence of the poem. Firstly, according to Gale (2016), the blank verse principle is a poetic form that simplifies storytelling and contributes to conveying thoughts without an emphasis on rhyme. The style he adheres to gives him an opportunity to express the ideas comprehensively. ![]() The analysis of the poem in question allows highlighting the main motives that explain Frost’s desire to describe personal experiences and thoughts about the power of love and its influence on life. ![]()
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